ePublishing News!

In the next 24-72 hours, my short story collections, A Fine Cast of Characters and A Moonlit Stroll will be available for purchase as epub files from KoboBooks.com!

As of now, I don’t have any links to provide, but when I do, you can be sure I’ll pimp them everywhere I can.

OH, and before I forget: I’ve lowered the price, too! I can’t get the higher percentages from Amazon that way, but Kobo is generously offering 70% royalties at the new, lower price…which is the only price on that site, but still. So, we’ll see how the experimentation in pricing goes.

If things go well with Kobo, I’ll probably publish in both places every time. I didn’t get anything, at all, from Barnes and Noble’s Nook store, so I’m not thrilled about that prospect, and Smashwords seems to stink, so I’ll likely just stick with these three. And I’ll have to see whether Kobo lets me set the price to free or not.

And also, my short story Siren Lake is also FREE all weekend long! Get your copy while the gettin’ is good! You can pick it up here!

So, once again, the two books A Fine Cast of Characters and A Moonlit Stroll will both be available from KoboBooks by next week, both for $1.99 (unless I can promote them with something like the KDP Select program does).

Have a great weekend!

New Story Launching!

Well, I have good news and bad news.

The good news is, I have a new story being launched on Kindle Select today as a stand-alone title. It’s called Siren Lake, and here’s the blurb:

Tam is a curious soul. When she overhears some small town teens talk about a monster in a nearby lake, it’s more than she can resist. Then she finds out the lake has been closed for years. The town’s drying up because of it, and plenty of people have gone missing on or near that lake. What’s happening, and why? Is the monster legend real?

When Tam tries to unearth the truth, the lake ranger steps in to put a stop to her digging. But Tam’s never been one to just give up and go home. She’ll find out what’s happening at Siren Lake, or die trying.

The bad news, however, is I made a typo during the setup and so I’m charging $99.00 for it instead of $.99. *Sigh* I’ll get it fixed and as soon as it’s live (shouldn’t take long) I’ll have links and pimpage for you to tell all your friends about. (You are telling all your friends about my work, aren’t you?)

Anyway, more to come when it’s ready.

*Sigh again*

-jdt-

Developing Stories, Part 4

Continued from Part 3

Well, I thought my journey had come full circle. By August 1 of this year (2012), I’d outlined about six book ideas I had lingering around using the Dramatica story development tool. What I discovered, also, is how thoroughly outlined a story is once I’ve run it through the Dramatica process.

Initially, I tried to take the Dramatica results and pin them into The Hero’s Journey template. I started with THJ on the very first book I’d planned after Scales of Justice, and it went from being a pretty solid story to a doggone good one, IMO. (My wife agrees, so pbbt!) But I found when I did the Dramatica process first, something happened.

I couldn’t make the Dramatica method “fit” into THJ template. I worked on it – and so did my beloved wife – for a long time. Weeks, actually. I struggled to find a way to cram the Dramatica elements into The Hero’s Journey segments so I could marry the two methods, my preferred way, and not have to choose between them.

I just couldn’t do it. They’re two completely different methods. And when held side-by-side with each other, I realized how much fuller the stories became when I used Dramatica. THJ, as much as I love it, is probably a tool best suited for the initial development of a raw idea, something to then feed through the Dramatica process I use, to fill it out and make it stronger.

Dramatica became my go-to development guide for working stories up. I still don’t have the signposts-to-sequences part done on any of them (except that first story, which I’m sure isn’t correct, but am intent on finding out), but I’ve become pretty facile with figuring out what the throughlines are going to be and how to find events in the story which represent each one (or, of course, coming up with them).

Just as I started to settle in and become comfortable with this method of story development, another one came my way.

In some ways, it’s even more intense. It defines similar concepts to Dramatica, with sequences made up of events composing the Acts, but it goes even farther to define each one of the events as broken into four steps, whatever they’re called (beats, maybe? I dunno yet; gimme time). Those four parts are – ready? – the inciting incident, a complication, a (further) complication, and the resolution.

The author forwarding this method also states if we make the overall story the four-part structure, and work with four sequences per act, and break the sequences down to four events each, and make each event have its four separate parts all of which are miniature versions of the level it comprises, and if we do so with an eye toward building in knowledge gaps between characters and audience, and if do so so each marker is conflict which causes a change in the emotional state of the protagonist – *whew!* – we’ll have a satisfying story which our audience will adore and remember.

But…what do all those things mean?

Well, I’m still figuring that out. I haven’t wrapped my head all the way around this one yet. What I do know is, the author is working on a Ph. D. in which he posits the theory that the most highly-rated movies (and stories in general, including novels) are those which are delivered with as much subtext as possible, with a focus on privilege knowledge gaps rather than revelation knowledge gaps.

Wait…whuh…?

Yeah.  More on that when I get it.

-JDT-

Developing Stories, Part 3

Continued from Part 2

Well, I had my eight plot elements from the Dramatica story theory in hand. Now I have to use those to develop a plot summary for my story. The summary is easy – just take the eight plot elements and create a one-paragraph summary of the events in your book. It’s a high-level sort of thing, like an elevator- or thirty-second pitch. Simple, once you have the plot elements.

Then, with the summary formed, I was ready to tackle creating the throughlines.

At first, I wasn’t sure this meant. But reading more of How-To-Write-A-Book-Now.com’s information gave me the insight to figure out, each of the four throughlines is broken into four major markers, or signposts. Those signposts are similar to the milestones of the four-part story map I’d been using.

Well…sort of.

My mistake came in trying to make the signposts of Dramatica analogous to the milestones. They serve similar functions, but aren’t the same thing. Not exactly. Turns out, however, the concept is just as easy. The first signpost for each throughline is an event which will take place in the first act. The second signpost for all four throughlines will take place in the second act. See how this works? Before long, you’ve got four events in each act.

Wow! I thought, this is fantastic! It’s even more granular than The Hero’s Journey!

Oh, but I wasn’t done yet. As I continued reading more about story development with Dramatica theory, I found those signposts should be translated into sequences, which are then broken into… wait, what?

What’s a sequence?

Sequences are sequences of events which make up chunks of a story. In my case, the sequences make up the Acts of the book. I have four sequences per each distinct section (or Act, if you allow for four of them instead of three, which is the model I use most), for a total of sixteen sequences throughout the book.

Those sequences are broken into four events each. An event is a block of story which comprises the scenes. So, in essence, I’ll have 64 scenes in my book (more or less, depending; I could have more than one event per scene, but they must be in the correct order regardless), which is pretty well standard (48 to 60 is what most writers will say for a novel or screenplay).

Dramatica, therefore, has provided me with a story map containing sixty-four (64) events along the way. Now, that’s a thorough map! How can I get lost that way?

But I wasn’t done yet. Not yet.

-JDT-

The Value of Reviews

I received a 3-star review on my novel Scales of Justice on August 15, 2012. And you know what? It was really eye-opening and valuable to me.

I wanted to pop in and say thank you to the reviewer, but I’ve heard that’s a no-no from the author’s standpoint. I don’t know if I agree. I thought the reviewer’s insights directly hit upon some of the weaknesses of the book and brought up some great ways to improve it. I’m more than half interested in actually implementing those changes. They’d be great.

So, to the person who gave that review, thank you. Thank you for telling me how I could do better and what you did and didn’t like about the story. I’m sorry it wasn’t as much fun for you as you wanted it to be, but I can tell you the gift you gave me, of an honest review, is one I will honor and respect in my next book. I’ll be a better writer for it.

Thank you again, and God bless.

-J. Dane Tyler

You can see the review here. It’s the only 3-star review I’ve gotten to date.

I’m AT THE BIJOU Today!

The gracious and lovely Absolutely*Kate from the wonderfully diverse AT THE BIJOU has honored me by featuring my fiction in her amazing little theater today!

She’s done it up right with great pictures and fancy formatting, and included the bio my loving wife wrote for me.

Please, amble over to AT THE BIJOU and give a shout-out to Absolutely*Kate and let me know what you thought of my story (if you haven’t already read it — I had to send her one I published here for my #fridayflash entry back in November of ’09).

All of my gratitude go to A*K and THE BIJOU for selecting me to take a moment in the spotlight. I’m humbled.

-JDT-

Updates and news

I’m trying a new theme for this blog. I don’t know if I’ll keep it or not – the font is very small for my weak eyes. But I thought I’d give it a look and just have a fresh springtime look for the site. Later I may go back to glum.

I’ve not posted much as you can see. I tried, at the end of 2009, to keep up with #FridayFlash. If you aren’t in the know, #FridayFlash is a 1000-word writing exercise, done each week and posted to a collector for that Friday’s round-up. Authors receive comments and feedback from other writers and a community is built. Generally. I didn’t seem to be very well received, but your mileage may vary. At any rate, with my upcoming publication, I sort of had to hunker down and get serious. I had a looming deadline which has since been met.

Other than those exercises, I’ve written a couple of short stories which I won’t be posting here for a bit. I’m going to submit one for publication in a few markets. Mostly online, I think, but we’ll see. I can’t have those available on the Internet while they’re out for consideration though.

In other news, the non-fiction book (mentioned on my personal blog several times) has an expected publication date of June 18, 2010. I’ll be getting the proofs from the project manager (editor?) this week sometime, poring over them and sending back any corrections and revisions to her. This is the last leg of the journey, I believe. Once this is finished I don’t believe I’ll have any other tasks before the book hits the shelves. Which is sort of exciting in an unexciting way.

Other than those tidbits, I have nothing to say. I hope I’ll have something you guys can read at some point in the near future, but if nothing else, I have edits of some existing pieces I can post just to keep the blog alive. Or what passes for alive.

Take care everyone and God bless. None of this has been fiction.

-JDT-

All original content © 2010 J. Dane Tyler
ALL rights reserved.

#FridayFlash: Shy Cowboy

This is another exercise in character study; this time, I’m attempting to portray awkwardness and embarrassment, shyness and nerves. Please feel free to let me know how you like it, what works, what doesn’t, etc. Thanks for the read!

UPDATED: I’ve made some changes based on the feedback on 18 Dec 2009. I hope this is an improvement over the previous piece.

===========================

He scrutinized his image in the rearview mirror and turned his head from side to side. His hat spat his hair out in tufts, and stubble crept over his cheeks, chapped lips and jaw. He sighed. It would have to do.

The pickup’s door screamed when he opened it. The wind knifed through threadbare denim as he seated his tired hat lower and zipped his jacket. He stuffed his hands in his pockets, sniffed, and headed for the general store’s entrance.

The wooden building seemed as brittle as the winter. His heels thumped a hollow cadence as he went up the stairs and crossed the porch. The bell over the door jangled as he stepped into the warmth. The figure behind the counter fluttered his heart and made his knees quiver.

She turned and beamed. “Hi, Jake!”

He thought he’d faint for a moment, then recomposed himself. “Hey there, Ellie. How’re you?” The moment he said it he felt phony. A blush burned his cheeks.

“I’m good!” She moved to the end of the counter. “Not used to seeing you in so much. It’s nice.”

Another burn in his cheeks. “Oh, well … you know. I keep needin’ stuff, so … um ….”

He felt stupid. He never knew how to talk to her. He’d been watching her, pining for her, for more than a year. She always made him feel special, even when the store was crowded. He couldn’t figure out what to say, how to say it, and he felt like a schoolboy with his first crush. He hoped he didn’t resort to pulling her hair.

She giggled. “Yeah, I guess we all keep needing things.” She leaned over the counter on her elbows and he panicked. He thought he might see down the collar of the T-shirt she wore, but the neck stayed closed. He didn’t realize he’d looked away until he glanced at her again.

“So, I … I … was just out an’ around, an’ thought maybe I’d stop and pick up a few … things.” He cleared his throat and ripped the hat from his head. He’d forgotten his manners and gritted his teeth in self-loathing.

“Oh, well it’s always nice to see you. I guess you know where everything is.” She winked at him and started to turn away.

“Y-yeah, yeah, but … um ….”

She perked a brow and turned back. “Need some help?” She smiled again and he froze, a rabbit in a coyote’s gaze.

He dropped his eyes and his stomach fluttered. “I-I … I wanted to … I think I wanted to ask you … Ellie ….” He swallowed but the lump wedged in his throat.

She leaned on the counter, her face curious and open. “Yes?”

He squeezed his fists to marshal his courage before he remembered his hat in his hands. He relaxed and stared at the crumpled brim and tried to find words, testosterone, and his voice. He smoothed the softened felt.

“Jake? Are you all right? You look like you’ve seen a ghost.”

“Oh, yeah! Yeah, I’m … I’m good! Really!” He spoke too loud and too quick and it sounded forced to him. He inwardly cursed his clumsiness and drew a long breath. “Ellie, look … I’m shitty – sorry, I mean I’m bad – bad at this. I know you got things to do and all, but I wanted to ask you somethin’ and I ….”

She tipped her head and offered a small grin. “It’s okay, go ahead. I’m listening.”

“But … I don’t want you thinkin’ I come in here today just for stuff … I ain’t … I mean, I’m dumb an’ all, but not so I can’t remember supplies more’n a day ahead, y’know?”

She smiled and nodded. “I know that.”

He stared at his shoes. “I sorta … sorta come in to talk to you today.”

“Oh?” She kept her voice even. He couldn’t think straight enough to figure out what that meant.

“So, I was thinkin’ … maybe, if you ain’t opposed ….” Again the lump choked him. He clenched his jaw and eyes shut, then popped them open before he looked her in the eye. “I wondered if you’d–”

The bell jangled and he jumped. His hands stung with adrenaline from the start and he bit his tongue. Bill Wahler and five or six ranchers from up Wildwood way tromped into the store, slapping their arms and rubbing their hands together.

“Woo! Cold out there!” Bill called, and tipped his hat back. “Hey, Jake! How you been, cowboy?” Wahler patted Jake on the back. “Ain’t see ya in a while.”

Jake forced a smile. “Hey Bill, good to see you, sir. Ray, Davey, how you boys doin’?”

The ranchers huddled around him while Bill stepped to the counter. He pulled off his hat and swept his silver hair back. “Miss Ellie, how’s the sweetest thing in the county this fine day?”

Jake heard her laughter tinkle as she spoke with the flirty old man. He chatted another ten minutes or so with the ranchers, walked silently out of the store, climbed into his truck, and made the long, cold ride home.

 

 

All original content © 2009 J. Dane Tyler
ALL rights reserved.

#FridayFlash: Western-Fantasy Vignette 2

He stood under the salmon sky while the wind slapped denim, skin, hair. She faced away toward the road, skirt flapping over broken dust-colored boots. Her coat ruffled in the thin air. Her locks tattered as she held them captive beneath the hat she pressed onto her head with one hand. In the other she clutched their daughter’s hand.

He stared at grainy dirt, his lips dry and tongue swollen, boots caked in ashen dust. His calloused fingers rasped against his weary shirt when he wiped absently.

“I wish you’d say something,” he said, voice hollow and distant, the voice of a man speaking his last words on his last breath.

“It’s over,” she said, her throat tight. She turned her head, but didn’t meet his gaze. “It’s all been said. There’s nothing left.”

“I’m doing my best.”

“I know. So am I.”

He shuffled, squinted over the mesa ring to the east. The rolling ground swooped from the washes and canyons down into a flat which ran to the western horizon. Saline stung his eyes. He blinked.

“Please. Don’t.”

“I have to,” she said. “For me. For them.” She dipped her head toward the children. Beside his sister, their son’s eyes glistened under his straw bangs, lower lip quivering. “It’s … I have to.”

“It’s only been three years.”

“Only? You say that to me? Only? Three years. Three years of struggling, fighting for every moment, every inch, every sprout, every grain. Only three years. They deserve more than this. We left more behind. Better than this.”

“It’s going to come, just one or two–”

“Don’t. Don’t say it. You’ve said one or two more seasons for eight or nine seasons. It hasn’t happened. It might. I believe if any man can do it, you can. But I can’t take it anymore.”

Hooves pounding and the racket of wheels and rigging drifted against the wind. He snapped his head to the west, surprised. The coach. He didn’t realize it would come so soon.

He turned back to her. “I’m begging you. Please.” His voice croaked, broke.

“It’s not forever, you know that. When it happens, when you finally break this place open, I’ll come back.”

“I need you.”

“I need you too.” She looked over her shoulder at him then, and her fine, porcelain statue features took his breath away. Her soft, brown eyes, the smooth lines despite the harsh years, her firm, set jaw. His heart jumped in his chest. But the carriage drawing to a stop on the dirt pack in front of her shattered his moment.

The coachman looked down at her, dipped his head and touched his weathered hat brim. “These all the bags, ma’am?” His voice sounded gravelly and cracked as the road itself.

“Yes, thank you,” she said, and her voice danced on the wind into the western canyons.

“Ticket?” the coachman said, and dropped nimble as a sprite to the ground. His team panted and pawed, heads shaking, snorting. “Easy, now,” the driver soothed. “They be edgy this morn,” he said, and smiled through his dense dusty beard.

The man watched helpless as she fished into the bag draped on her shoulder and pulled out three paper rectangles. They snapped and rattled as the wind bent them over and broke them in her grip. The coachman stuffed them into a shirt pocket beneath his heavy jacket and stroked his beard. He nodded, gave her a practiced grin.

The coachman gestured toward the carriage, and pulled at a handle on the underside. A rusty metal step ladder groaned and shrieked outward. The wind tried to rip the curtains off the window when he opened the door.

The man stared with his throat too tight to swallow, to breathe. His son looked back again, a fat tear rolled down his cheek. “Bye, Daddy.” The words stabbed him like broken glass.

“I’ll see you real soon, son,” he said, but didn’t know how he managed to speak. “Real soon.”

He watched his wife lift their daughter into the dark of the coach. The coachman kept the door from tearing off, one of her bags hanging from his gloved fingers. When the man raised his eyes, the coachman offered a brief look of understanding and an almost imperceptible nod.

His daughter vanished into the coach without a sound.

His wife turned to face him. Her eyes shredded him with the pain, the ache they held. “It won’t be forever,” she said, and then kissed the tips of her fingers and blew over her open hand at him.

“No,” he choked, “Not forever. I promise.”

Her face broke. She stifled a sob, and launched herself into the coach. The driver closed the door, danced around the coach placing bags deftly on its top. A moment later he materialized in the driver’s seat and took the reins. The horses seemed more agitated still, but the coachman paid no heed. He stared down at the man for a moment, then gave him a somber nod with that same touch of fingers to hat brim.

The man didn’t respond, but the coachman didn’t wait for one. He prodded the team and snapped the reins, and the coach jerked and then rolled away.

He watched the carriage recede down the hill toward the flat to the east until it became a tiny speck.

His heart spiked when the black form rose just as the sun pierced the horizon, a winged blot of death on the pale sky. His heart froze completely when the dragon spewed wyrmfire in a blazing geyser pouring earthward. A blinding explosion blasted the coach on the road beneath the wyrm. The sound came seconds later as he raced screaming their names until his voice tore loose and flew away in the constant howling wind.

He knew then it would be forever after all.

All original content © 2009 J. Dane Tyler
ALL rights reserved.